TY - JOUR
T1 - The urgent need for career preview: Student expectations and graduate realities in music and dance
AU - Bennett, Dawn
AU - Bridgstock, Ruth
N1 - Publisher Copyright:
© The Author(s) 2014.
Copyright:
Copyright 2015 Elsevier B.V., All rights reserved.
PY - 2015/8/25
Y1 - 2015/8/25
N2 - Unlike the work available in many creative disciplines, musicians and dancers have the possibility of company-based employment; however, participants outweigh the number of positions. As a result, many graduates become "enforced entrepreneurs" as they shape their work to meet personal and professional needs. The similarities between initial music and dance careers offer opportunities for research across both. This article explores the career projections of 58 music and dance students who were surveyed in their first week of post-secondary study. It contrasts these findings with the reality of graduate careers as reported by five of that cohort four years later. In contrast with the studentsfocus on performance roles, the graduate cohort reported a prevalence of portfolio careers incorporating both creative and non-creative roles. The paper characterizes the notion of a performing arts "career" as a messy concept fraught with misunderstanding. Implications include the need to heighten studentscareer awareness and position intrinsic satisfaction as a valued career concept.
AB - Unlike the work available in many creative disciplines, musicians and dancers have the possibility of company-based employment; however, participants outweigh the number of positions. As a result, many graduates become "enforced entrepreneurs" as they shape their work to meet personal and professional needs. The similarities between initial music and dance careers offer opportunities for research across both. This article explores the career projections of 58 music and dance students who were surveyed in their first week of post-secondary study. It contrasts these findings with the reality of graduate careers as reported by five of that cohort four years later. In contrast with the studentsfocus on performance roles, the graduate cohort reported a prevalence of portfolio careers incorporating both creative and non-creative roles. The paper characterizes the notion of a performing arts "career" as a messy concept fraught with misunderstanding. Implications include the need to heighten studentscareer awareness and position intrinsic satisfaction as a valued career concept.
UR - http://www.scopus.com/inward/record.url?scp=84937700053&partnerID=8YFLogxK
U2 - 10.1177/0255761414558653
DO - 10.1177/0255761414558653
M3 - Article
AN - SCOPUS:84937700053
SN - 0255-7614
VL - 33
SP - 263
EP - 277
JO - International Journal of Music Education
JF - International Journal of Music Education
IS - 3
ER -