Multimodal affective interaction: A Comment on Musical Origins

Steven Robert Livingstone; William Forde Thompson

doi:10.1525/mp.2006.24.1.89

Multimodal affective interaction: A Comment on Musical Origins

Steven Robert Livingstone, William Forde Thompson^*

^*Corresponding author for this work

Research output: Contribution to journal › Article › Research › peer-review

17 Citations (Scopus)

59 Downloads (Pure)

Abstract

The rigors of establishing innateness and domain specificity pose challenges to adaptationist models of music evolution. In articulating a series of constraints, the authors of the target articles provide strategies for investigating the potential origins of music. We propose additional approaches for exploring theories based on exaptation. We discuss a view of music as a multimodal system of engaging with affect, enabled by capacities of symbolism and a theory of mind.

Original language	English
Pages (from-to)	89-94
Number of pages	6
Journal	Music Perception
Volume	24
Issue number	1
DOIs	https://doi.org/10.1525/mp.2006.24.1.89
Publication status	Published - Sept 2006
Externally published	Yes

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10.1525/mp.2006.24.1.89

Multimodal affective interaction: A Comment on Musical OriginsFinal published version, 2.68 MBLicence: Other

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Multimodal affective interaction: A Comment on Musical Origins

Abstract

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