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Listening to music
William Forde Thompson
, Glenn E. Schellenberg
Research output
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Chapter in Book/Report/Conference proceeding
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peer-review
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Arts and Humanities
Timbre
100%
Rhythm
100%
Cognitive constraints
100%
Favor
50%
Limitations
50%
Absolute pitch
50%
Research methodology
50%
Acculturation
50%
Predisposition
50%
Music Experience
50%
Counterpoint
50%
Music Perception
50%
Auditory Stimuli
50%
pitch contour
50%
Consonance
50%
Dissonance
50%
Perceptual grouping
50%
Melody Perception
50%
Nature-Nurture
50%
perceptual salience
50%
Voice Leading
50%
Psychology
Rhythm
100%
Psychology
100%
Working Memory
50%
Predisposition
50%
Enculturation
50%
Keyphrases
Integer Ratio
50%