Daphne Mayo's self portrait: Australian sculptor, experiment with colour, or woman with toothache?

Research output: Contribution to conferencePaperResearchpeer-review

Abstract

A self-portrait by Australian sculptor Daphne Mayo, housed, unframed, in an art file in the University of Queensland’s Fryer Library is one of those images that can lead to ever-expanding circles of research and cross-disciplinary reading. Daphne Mayo was a key Australian sculptor of the mid-twentieth century, the creator of numerous prominent pieces of public art, and a woman who contributed significantly to the shaping of the Queensland Public art collection during the same period.
Original languageEnglish
Publication statusPublished - 2010
EventAustralian Historical Association's Biennial Conference : Reviewing History - University of Western Australia, Perth, Australia
Duration: 5 Jul 20109 Jul 2010
Conference number: 15th
https://www.theaha.org.au/about-the-aha/aha-conferences-since-1982/

Conference

ConferenceAustralian Historical Association's Biennial Conference
Country/TerritoryAustralia
CityPerth
Period5/07/109/07/10
Internet address

Fingerprint

Dive into the research topics of 'Daphne Mayo's self portrait: Australian sculptor, experiment with colour, or woman with toothache?'. Together they form a unique fingerprint.

Cite this