Abstract
[Extract]
Competitions play a significant role in the music industry. Whether a televised
reality contest, an international classical music competition, or a Battle of the Bands
in a local bar, competitions enable musicians of various ages and experiences to judge, promote, and, in principle, better themselves. Even so, as the number and
type of competitions have grown tremendously in the past half century, questions
about their purpose and legitimacy have surfaced. Some critics also argue that
immensely popular television shows such as The X Factor and The Voice present a
distorted impression of the nature and function of professional music competitions,
whose formats, goals, and participants are more diverse than we see on popular
television shows.
Competitions play a significant role in the music industry. Whether a televised
reality contest, an international classical music competition, or a Battle of the Bands
in a local bar, competitions enable musicians of various ages and experiences to judge, promote, and, in principle, better themselves. Even so, as the number and
type of competitions have grown tremendously in the past half century, questions
about their purpose and legitimacy have surfaced. Some critics also argue that
immensely popular television shows such as The X Factor and The Voice present a
distorted impression of the nature and function of professional music competitions,
whose formats, goals, and participants are more diverse than we see on popular
television shows.
| Original language | English |
|---|---|
| Title of host publication | The Science and Psychology of Music |
| Subtitle of host publication | From Beethoven at the Office to Beyoncé at the Gym |
| Editors | William F. Thompson, Kirk N. Olsen |
| Place of Publication | Santa Barbara |
| Publisher | ABC-CLIO |
| Chapter | 12 |
| Pages | 69-74 |
| Number of pages | 6 |
| ISBN (Electronic) | 9781440857720 |
| ISBN (Print) | 9781440857713 |
| Publication status | Published - 1 Jan 2021 |
| Externally published | Yes |
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Dive into the research topics of 'Competitions: judging expertise'. Together they form a unique fingerprint.-
Cross-cultural research in music psychology
Thompson, W. F. & Olsen, K. N., 1 Jan 2021, The Science and Psychology of Music: From Beethoven at the Office to Beyoncé at the Gym. Thompson, W. F. & Olsen, K. N. (eds.). Santa Barbara: ABC-CLIO, p. 36-41 6 p.Research output: Chapter in Book/Report/Conference proceeding › Chapter › Research › peer-review
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Defining music
Thompson, W. F. & Olsen, K. N., 2021, The science and psychology of music: from Beethoven at the office to Beyoncé at the gym. Thompson, W. F. & Olsen, K. N. (eds.). Santa Barbara: ABC-CLIO, p. 3-7 5 p.Research output: Chapter in Book/Report/Conference proceeding › Chapter › Research › peer-review
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Five healthy ingredients of music
Thompson, W. F., 2021, The Science and Psychology of Music: From Beethoven at the Office to Beyoncé at the Gym. Thompson, W. F. & Olsen, K. N. (eds.). Santa Barbara: ABC-CLIO, p. 295-300 6 p.Research output: Chapter in Book/Report/Conference proceeding › Chapter › Research › peer-review
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