TY - JOUR
T1 - “Bloody Wonder Woman!”: Identity performances of elite women entrepreneurs on Instagram
AU - Heizmann, Helena
AU - Liu, Helena
N1 - Funding Information:
The authors received no financial support for the research, authorship and/or publication of this article.
Publisher Copyright:
© The Author(s) 2020.
PY - 2022/3
Y1 - 2022/3
N2 - Critical scholarship has challenged traditional assumptions of entrepreneurship as a ‘neutral’ economic activity, demonstrating instead how entrepreneurship is a cultural phenomenon. In particular, enterprise culture has been exposed as fundamentally masculinist, so that women entrepreneurs are said to be measured against gendered values and ideals. What remains relatively unexplored, however, are the ways the identity performances of women entrepreneurs on social media reflect and reproduce inequalities that extend beyond gender. In this article, we examine how highly privileged Australian women entrepreneurs perform their identities on Instagram. In applying intersectionality theory, our study finds that the entrepreneurs produced idealised feminine identities by leveraging the intersections of white, elite-class, heteronormative, able-bodied power within a broader neoliberal discourse. In doing so, our analysis points to how romanticised ideals of women’s economic empowerment in digital spaces may obscure the perpetuation of systemic and structural oppression.
AB - Critical scholarship has challenged traditional assumptions of entrepreneurship as a ‘neutral’ economic activity, demonstrating instead how entrepreneurship is a cultural phenomenon. In particular, enterprise culture has been exposed as fundamentally masculinist, so that women entrepreneurs are said to be measured against gendered values and ideals. What remains relatively unexplored, however, are the ways the identity performances of women entrepreneurs on social media reflect and reproduce inequalities that extend beyond gender. In this article, we examine how highly privileged Australian women entrepreneurs perform their identities on Instagram. In applying intersectionality theory, our study finds that the entrepreneurs produced idealised feminine identities by leveraging the intersections of white, elite-class, heteronormative, able-bodied power within a broader neoliberal discourse. In doing so, our analysis points to how romanticised ideals of women’s economic empowerment in digital spaces may obscure the perpetuation of systemic and structural oppression.
UR - http://www.scopus.com/inward/record.url?scp=85097278585&partnerID=8YFLogxK
U2 - 10.1177/0018726720979034
DO - 10.1177/0018726720979034
M3 - Article
AN - SCOPUS:85097278585
SN - 0018-7267
VL - 75
SP - 411
EP - 440
JO - Human Relations
JF - Human Relations
IS - 3
ER -