Art Worthy of the state: Daphne Mayo and her cultural mission

Research output: Contribution to conferenceAbstractResearch

Abstract

The Queensland sculptor, Daphne Mayo, believed in and exercised what might be regarded as a form of ‘cultural authority’, in an Arnoldian sense. She distinguished between philistines (although she didn’t necessarily use that term), and those who possessed artistic ‘sensibilities’. Those who possessed such knowledge, appreciation and sensibility were worthy of determining, in the state of Queensland, what was worthy of its state collection of fine arts. In both the 1930s and 1960s when she worked closely with them, she viewed the majority of the members of the Board of Trustees of the Queensland Art Gallery as laymen who were too susceptible to commercialism and cronyism.
Original languageEnglish
Publication statusPublished - 2009
EventEMSAH Research Seminar - University of Queensland, Brisbane, Australia
Duration: 4 Sep 2009 → …

Conference

ConferenceEMSAH Research Seminar
CountryAustralia
CityBrisbane
Period4/09/09 → …

Fingerprint

Art
Sensibility
Queensland
Authority
1960s
Fine Arts
1930s
Philistines
Laymen
Commercialism
Queensland Art Gallery
Trustees

Cite this

Hunt, J. E. (2009). Art Worthy of the state: Daphne Mayo and her cultural mission. Abstract from EMSAH Research Seminar , Brisbane, Australia.
Hunt, Jane E. / Art Worthy of the state : Daphne Mayo and her cultural mission. Abstract from EMSAH Research Seminar , Brisbane, Australia.
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Hunt, JE 2009, 'Art Worthy of the state: Daphne Mayo and her cultural mission' EMSAH Research Seminar , Brisbane, Australia, 4/09/09, .

Art Worthy of the state : Daphne Mayo and her cultural mission. / Hunt, Jane E.

2009. Abstract from EMSAH Research Seminar , Brisbane, Australia.

Research output: Contribution to conferenceAbstractResearch

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AB - The Queensland sculptor, Daphne Mayo, believed in and exercised what might be regarded as a form of ‘cultural authority’, in an Arnoldian sense. She distinguished between philistines (although she didn’t necessarily use that term), and those who possessed artistic ‘sensibilities’. Those who possessed such knowledge, appreciation and sensibility were worthy of determining, in the state of Queensland, what was worthy of its state collection of fine arts. In both the 1930s and 1960s when she worked closely with them, she viewed the majority of the members of the Board of Trustees of the Queensland Art Gallery as laymen who were too susceptible to commercialism and cronyism.

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Hunt JE. Art Worthy of the state: Daphne Mayo and her cultural mission. 2009. Abstract from EMSAH Research Seminar , Brisbane, Australia.